Bibliography
SELECTED BIBLIOGRAPHY
Gap in the Clouds, (MER., Art imprint of Borgerhoff & Lamberigts, 2022 ).Texts by Koen Leemans, Hannah Iterbeke, Peter Verhelst, Anne Wetsi Mpoma and Ricardo Brey.
Adrift (MER., imprint of Borgerhoff & Lamberigts, 2019). Texts by Arie Hartog, Erica M. James, Evan Moffitt, John C. Welchman, Luc Derycke (EN&DU).
Ricardo Brey. Doble Existencia/Double Existence, exh. cat., New York, 2019, Alexander Gray Associates, New York, USA, 2019. Text: Alex Santana in conversation with Ricardo Brey.
Qué le importa al tigre una raya más (The Futility of Good Intentions), (vzw MER Paper Kunsthalle), 2014. Texts by Bart de Baere, Jimmie Durham, John Welchman, Thomas Miessgang, Sandra Sosa (EN-SP-NL).
Universe (vzw MER Paper Kunsthalle, Ghent: S.M.A.K., Ghent, Belgium), 2006.
Under the Leaves (Terra Lanoo BV), 2004. Texts by Roel Arkestijn and Walter Guadagnini (EN&NL).
Ricardo Brey (Galerie Xippas) Paris, 1999. Text by Bart De Baere (FR&EN).
Ricardo Brey (Galleria Civica, Palazzina dei Giardini) Modena, Italy, 1996. Texts by Walter Guadagnini
and Jan Hoet (IT&EN).
Ricardo Brey (Vereniging voor het Museum van Hedendaagse Kunst) Ghent, Belgium, 1993. Texts by Ilse Kuijken.
Sobre la tierra (Centro Wifredo Lam), Havana, Cuba, 1987. Text by Gerardo Mosquera.
El Origen de las Especies (Museo Nacional de Bellas Artes) Havana, Cuba, 1981. Text by Gerardo Mosquera.
Luna Llena (Casa de la Cultura de Jaruco) Havana, Cuba, 1980.
SELECTED CATALOGUES FROM GROUP EXHIBITIONS
Juan Francisco Elso: Essays on América, Edited by Olga Viso, El Museo del Barrio, March 2023.
Pass 2021, MER., imprint of Borgerhoff & Lamberigts, Ghent, Belgium, 2021.
Les Abeilles de l’Invisible. Museé des Arts Contemporaines au Grand-Hornu, Hornu, 2019. Text by Denis Gielen (BE)
S.M.A.K. The Collection (1) Highlights for a Future, Mercatorfonds, Brussels, 2019. Text by Philippe Van Cauteren, Thibaut Verhoeven.
Feast of Fools. Bruegel Rediscovered, Gaasbeek Castle, Lennik, Belgium, 2019. Texts by Luk Lambrecht and Lieze Eneman.
How to Gather: Acting Relations, Mapping Positions, Defne Ayas, Bart de Baere, Marie Egger, and Nicolas Schafhausen (eds.), Kunsthalle Wien (Vienna); M HKA (Antwerp); Witte de With Center for Contemporary Art (Rotterdam); V-A-C Foundation (Moscow), 2017.
56th International Art Exhibition - la Biennale di Venezia, All the World's Futures .
Permission To Be Global / Prácticas Globales is a collaboration between the Cisneros Fontanals Art Foundation (CIFO) and the Museum of Fine Arts, Boston (MFA), Miami, USA, 2014
Frames & Documents: Conceptual Practices, Selections from the Ella Fontanals Cisneros, Cisneros Fontanals Art Foundation (CIFO) Miami, USA, 2012
Sint-Jan, Sint-Baafskathedraal, 2012, Ghent, Belgium, p. 88.
Pearls of the North, Palais d'Iéna, Paris, France, 2011, p. 20.
The good, the bad & the ugly, Cultuurcentrum Strombeek, 2010, Brussels Belgium, pp. 148-149, 152-153, 172-173.
500 chefs-d'oeuvre de l'art belge, 2. De Marcel Broodthaers à Jacques Charlier. Conceptualisme, néo-expressionnisme et post-modernisme. Le Soir/Lanoo, Editions Racine, Brussels, Belgium, 2008.
Commitment, Een project by beeldende kunst Strombeek/Mechelen, Strombeek/Mechelen, Belgium, 2007.
Room with a view, The Bouwfonds Art Collection, Gemeentemuseum, The Hague, Netherlands, 2006
Natura arte e meraviglia, Verona, Italy (Museo Civico di Storia Naturale), a.o. 2001. Text by Walter Guadagnini.
Embodiment, Amsterdam, (De Brakke Grond) The Netherlands, 2001.
3 Räume – 3 Flüsse. Ihr wart ins Wasser eingeschrieben, Hann. Münden (City of Hann, Münden, Germany), 2000. Text by Walter Guadagnini.
'Dello Spirituale Nell'Arte'. Dai 'Miracoli' all'opera come reliquia, Livorno, Italy (Edizioni Roberto Peccolo), 2000. Text by Flavio Ermini.
Dust & Dirt, Ghent, Belgium (Witte Zaal / S.M.A.K.,), 2000.
Trattenendosi, Venice, Italy (Zitelle) 1999. Text by Philippe Pirotte.
Tussenin / in-between, Deurle, Belgium (Museum Dhondt-Dhaenens), 1998. Text by Edith Doove.
Shelter, Breda, Netherlands (Stichting Fundament), 1996. Text by Chris Driessen.
Cuba siglo XX. Modernidad y sincretismo, Las Palmas de Gran Canarias (Centro Atlántico de Arte Moderno) / Palma de Mallorca (Fundación La Caixa) / Barcelona (Centre d'Art Santa Mónica) Spain, 1996. Text by Gerardo Mosquera.
Arcangelo, Ricardo Brey, Gianni Dessi. Nelle mani. Nelle cose. Nella luce, San Martino Valle Caudina, Italy (Galleria Civica d'Arte Contemporanea, Palazzo Ducale), 1996. Text by Walter Guadagnini.
Universalis. 23 Bienal de Sao Paulo, Parque Ibirapuera, Sao Paulo, Brazil, 1996. Texts by Mari Carmen Ramirez and Ricardo Brey.
Caleidoscoop. Kunst vanuit transcultureel perspectief, Utrecht, Netherlands (Instituut voor Transculturele Ontwikkeling), 1995. Text by Jedithja de Groot.
Leonkart, città del desiderio, Milan, Italy (Centro Sociale Leoncavallo), 1995. Texts by Pino Tripodi and Ricardo Brey.
V Bienal de La Habana, Havana, Cuba (Centro Wifredo Lam), 1994. Text by Denis Gielen.
The Ideal Place, The Hague (Haags Centrum voor Actuele Kunst), 1994. Text by Philip Peters.
Beelden Buiten 1994, Tielt, Belgium (Cultureel Centrum Gildhof), 1994. Texts by Bart De Baere and Piet Vanrobaeys.
The spirit of the earth, Tokyo, Japan (The Watari Museum of Contemporary Art), 1994. Texts by Koichi Watari, Dirk Pültau and Jan Hoet.
Domaine 1993, Kerguehennec, France (Centre d'Art Contemporain Domaine de Kerguehennec), 1993. Texts by Denys Zacharopoulos.
Documenta IX, Kassel, Germany, 1992.
Fondo Cubano de Bienes Culturales, F.C.B.C., Havana, Cuba, 1990. Text by Orlando Hernández.
Kuba ok. Aktuelle Kunst aus Kuba, Düsseldorf, Germany (Städtische Kunsthalle), 1990. Texts by Gerardo Mosquera, Osvaldo Sánchez, Nancy Morejón and António Eligio.
Ponton Temse, Temse / Ghent, Belgium (Museum van Hedendaagse Kunst), 1990. Foreword by Jan Hoet.
III Bienal de La Habana, Havana, Cuba (Centro Wifredo Lam), 1989.
Made in Havana. Contemporary art from Cuba, Sydney (Art Gallery of New South Wales) / Brisbane (Museum of Contemporary Art) / Melbourne (Australian Centre for Contemporary Art) Australia, 1988-1989. Texts by Charles Merewether, Gerardo Mosquera and Ricardo Brey.
XIX Bienal internacional de Sao Paulo, Sao Paulo, Brazil (Bienal internacional de Sao Paulo), 1987. Text by Gerardo Mosquera.
II Bienal de La Habana, Havana, Cuba (Museo Nacional de Bellas Artes), 1986.
De lo contemporáneo, Havana, Cuba (Museo Nacional de Bellas Artes), 1985. Text by Corina Matamoros.
New art from Cuba: José Bedia, Flavio Garciandía, Ricardo Rodríguez Brey, New York, USA (Amelie A. Wallace Gallery, State University of New York (SUNY) / College at Old Westbury), 1985. Texts by Luis Camnitzer, Benjamin Buchloh, Gerardo Mosquera.
I Bienal de La Habana, Havana, Cuba (Museo Nacional de Bellas Artes), 1984.
Cuatro, Havana, Cuba (Galeria de La Habana), 1982. Text by Gerardo Mosquera.
Pintura joven cubana, Puebla, Mexico (Galería Rafaela Padilla de Zaragoza, Sala Erasto Cortés) 1982. Text by Gerardo Mosquera.
Volumen I, Havana, Cuba (Centro Internacional de Arte de La Habana), 1982. Text by Gerardo Mosquera.
Seis nuevos pintores, Havana, Cuba, 1978. Text by Gerardo Mosquera.
SELECTED ARTICLES AND REVIEWS
Duplat Guy, Ricardo Brey, chaman et poéte. La Libre Belgique, July 03, 2022
Ines Minten, De magie van blauw. De Standaard Zaterdag 4 juni 2022
EMMA VLOEIMANS , Harper’s Bazaar uitagenda: de leukste dingen om te doen door het hele land 17/05/2022
Sven Van Haezendonck , Ghent artist Ricardo Brey goes to Machelen for an exhibition full of optimism: “I want to bring a sign of hope”, GVA,Thursday19 May2022
KOEN VAN BOXEM , Ricardo Brey transforms old into contemporary art, De Tijd, May 19, 2022
Wannes Vansina, Er is altijd een gat in de wolken: Ricardo Brey maakt hoopvolle expo voor Hof van Busleyde , Het Laastste Niews, 19.05.2022
Efi Michalarou, “Art Presentation: Ricardo Brey Blue-Shore”, Dream Idea Machine [online], 8 November 2021.
Valentina Di Liscia, “How Artists Have Paid Homage to the Bicycle”, Hyperallergic [online], 30 June 2021.
Maximilíano Durón and Angelica Villa, “Dealers Report Robust Sales for Top-Dollar Works at Virtual Art Basel Fair as Art World Migrates Online”, Art News, 17 June 2020.
Anne Von Stürze, “Ewiger Kreislauf des Lebens. Ausstellung im Marco-Haus: Ricardo Brey entdeckt Für seine Kunst auf dem Flohmarkt”, Nordsee-Zeitung, 7 December 2019.
___ “Von der Poesie des Mülls. Ausstellung 'Ricardo Brey-Adrift' im Gerhard-Marcks-Haus”, Delme Report, 4 December 2019.
___ “Von der Poesie des Mülls. Ausstellung 'Ricardo Brey-Adrift' ist ab heute im Gerhard-Marcks-Haus geöffnet”, Weser Report, 1 December 2019.
Frank Von Schümann, “Vom Treiben zwischen den Welten”, Taz/Die Tageszeitung, 30 November 2019.
Frank Von Schümann, “Mit Interpretationsspielraum. Zum ersten Mal in Deutschland: Das Gerhard-Marcks-Haus zeigt Ricardo Brey. Kreiszeitung”, Syrer Zeitung, 29 November 2019.
Iris Von Hetscher, “Sonnensysteme vom Flohmarkt. Das Gerhard-Marcks-Haus zeigt Assemblages und Zeichnungen des kubanischen Künstlers Ricardo Brey”, Weser Kurier, 29 November 2019.
Frank Von Schümann , “Vielschichtig und verschlüsselt”, Museumszeit , Nr. 34. November 2019 – February 2020.
Arie Hartog, “Ricardo Brey – Adrift + Punkt”, Kunst im Nordwestern, November – June 2020.
Jonathan Goodman, “Ricardo Brey: Doble Existencia/Double Existence”, The Brooklyn Rail, Critical Perspectives on Art, Politics and Culture (New York), 27 March 2019.
Ellie Botoman, “Ricardo Brey”, Artforum, 23 March 2019.
————, “Ricardo Brey’s Doble Existencia/Double Existence, at Alexander Gray Associates, New York”,
14 March 2019.
Lempesis Dimitris, “ART-PRESENTATION: Ricardo Brey-Doble Existencia”, 1 March 2019.
————, “Event Horizon: Art Happenings Around New York, 9 Art Events in New York This Week: Purvis Young, Alice Neel, Ricardo Brey, and More”, ARTnews,
25 February 2019.
– “Havana to New York: A Week of Openings & Events”, Cuban Art News, 20 February 2019. ————, “Expositie Adrift van Ricardo Brey bij
De Domijnen”, www.sittard-geleen.nieuws.nl, 6 February 2019.
Rob Cobben, “Alsof je een kind opsluit in een snoepwinkel en verbiedt om te proeven, www.limburger.nl, 13 February 2019.
Selvin Claire, “Alexander Gray Associates Now Represents Ricardo Brey”, ArtNews,17 May 2018.
Victoria L. Valentine, “Cuban-Born Artist Ricardo Brey is Now Represented by Alexander Gray Associates, First Solo Show in New York Slated for 2019”, Culture Type, 31 May 2018.
“Cuban-Born Artist Ricardo Brey is Now Represented by Alexander Gray Associates, First Solo Show in New York Slated for 2019”, Best Black News, 31 May 2018.
Mallat, Danny. Les brocntes poétiques d'un artiste chaman. . L'Orient. Le Jour,
December 19 , 2017
Unpacking 'Inferno' through art . The daily Star , 24.Nov 2017 . Beirut (LE)
Marah Hoberman, Ricardo Brey, All that is could be otherwise. Artforum, April 2017
Christine Feront , Ricardo Brey . ArtNexus 104 , March – May 2017
Efi Michalarou, INTERVIEW:Ricardo Brey, dreamideamachine online, January 2017
Evelyn Vogel:Ricardo Brey. The moving wall . Südddeutsche Zeitung, Munchen. January 21, 2016
Roderik Six:" Ricardo Brey .Que le importa al tigre una raya más (the futility of good intentions)". Knack Focus. April 29-Mey 5 / 2015 .p.47 .
Pierre Kluyskens: "Ricardo Brey - M HKA A'pen-10/5. Quovadis. ART.be. April 26, 2015
Luk Lambrecht."Ricardo Brey in de stad Antwerpen". Flux News ,20 avril 2015.
Maria Martens Serrano: "Des-Cubrir: uncovering and discovering the work of Ricardo Brey". Artdependence magazine . Vol. 7 April 2015
Javier Hontoria: "Brey, el alquimista" . El Cultural. El Mundo , 20-03-2015. p.p 34-35
Marc Holthof: Ricardo Brey . Op de bodem van de hemel in het M HKA in Antwerpen.'Ik speel met het geheuegn van de mensheid'. H ART # 138 , 05.03.2015. p 5.
___________; "Ricardo Brey in Antwerpen". COBRA.be. 20.02.2015
Marc Holthof:"Een Gentse magiër uit Cuba". De Tijd, February 19/2015 . p.11
Guy Gilsoul: "Ricardo Brey ". J'invite la vie'. Le VIF, N°7 / 13 February 2015. p88
Sam Steverlynck: "De wereld volgens Ricardo Brey". De Standaard, 11 February, 2015 . Belgium. D6.
Frank Heirman: "Ricardo Brey doet ingreep op hoogaltaar Sint Pauluskerk. MHKA nodigt Cubaans-Belgische kunstenaar uit. Gazet van Antwerpen, February 5, 2015 . p 17
Frank Heirman: : "Ricardo Brey vindt inspiratie op hoogaltaar Sint-Pauluskerk. De Standaard, February 5, 2015. p.32
Christine Vuegen: Ricardo Brey, ‘Kicking the can down the road’ tot 25 oktober in Galerie Nathalie Obadia,H ART , 25.09.2014 . p 32.
Sam Steverlynck: "Gentse Kunstenaar Ricardo Brey keert terug naar zijn geboorteland.'Cuba is veranderd,maar ik heb een revolutie doorgemaakt". De Standaard, 14 April , 2014 . Belgium. D6.
Joaquín Badajoz: “Ricardo Brey. Un discípulo de Paracelso visita Miami.” El Nuevo Herald, January 11, 2014.
Max Henry: “Ricardo Brey / Jimmie Durham looking at my own work (and his).” Christine König Galerie, Vienna, Austria Art Agenda reviews, April 2012
“ABC — Art Belge Contemporain.” Artpress 2, Nov/Dec/Jan 2010/11, p. 85.
Lambrecht Luk: “Een wereld van poëzie: Ricardo Brey in het Nicc in Antwerpen.” Knack 38, 2009.
Van Hofe Jan: “Een bmoem, een schlep, een visje.” De Standaard, October 11 2006.
Theys Hans: “Universe van Ricardo Brey.” <H>ART, November 2006.
Lambrecht Luk: “Het universum van Ricardo Brey.” Knack 36, (2006), p87.
______________. “Nachtvlinders in het S.M.A.K.” Stadsmagazine Zone 09 Courant, Nr. 181, November 2006
De Ruyck Hans: “God spelt met dobbelstenen.” Gazet van Antwerpen, October 25, 2006
Van Put Roos: “Ricardo Brey spreekt in overdrachtelijke beeldspraken.” HC, November 26, 2004
______________. “Ricardo Brey-Hanging around in het GEM.” De Scheveningsche Courant, January 24, 2004.
______________. “Ricardo Brey-Hanging around in het GEM.” Haagwest nieuws, November 24, 2004,
______________. “Ricardo Brey, Hanging around.” GM, Museumkrant, 2005 # 1, The Hague, Netherlands.
_______________. “Ricardo Brey.” Museumtijdschrift Vitrine, nr. 8 (Dec/Jan, 2004/5), p. 6, Netherlands.
Van de Velde Paola: “Raadselachtige installaties Ricardo Brey in GEM.'Er is te weineg magie in de wereld.'” De telegraaf, November 26, 2004, Netherlands.
Welling Wouter: “Hanging Around, Ricardo Brey in het GEM.” Kunstbeeld, nr. 12/01(2004/2005), p. XIV-XV. Netherlands.
Leij Machteldij: Ricardo Brey heft zelfs een oude jas betekenis, NRC Handelsblaad, November 27, 2004, Netherlands.
Charlotte Bonduel: “De facetogen van een vlieg. Het getekende universum van Ricardo Brey.” kM (Spring 2004) 49, pp. 15-17.
Christine Frérot: “Ricardo Brey. Crestet Centre d'Art.” ArtNexus (April-June 2001) 40, pp. 144-146. SZ Galerie-Tipp, Süddeutsche Zeitung March 22, 2001.
Hanne Weskott: “Die Geheimnisse des Schamanen. Ricardo Breys Installationen und Bilder in der Galerie Tanit.” Süddeutsche Zeitung,
March 3-4, 2001.
Cees Straus: “Ricardo Brey, een tropische verrassing in Pand Paulus.” Musis 7 (February 2001) 2, p. 65.
Rudy Hodel: “Oude helden – nieuwe helden.” Tubelight (Jan-Feb. 2001) 13, p. 18.
Sandra Smallenburg: “'Ik word steeds meer een echte Belg'. Twee exposities van Cubaan Ricardo Brey.” NRC Handelsblad, January 31, 2001.
Alain Dreyfus: “La brocante poétique de Ricardo Brey.” Quotidien Liberation, November 2, 2000.______________. “Exposition Ricardo Brey.” Le Marseillaise des Alpes October 10, 2000.
Laurent Faré, “'Sources” de Ricardo Brey au Crestet centre d'art”, La Provence, October 4, 2000.
Laurent Faré, “'Sources' ou l'appel du sauvage au Crestet.” Le Comtadin, September 22, 2000.
Stef Van Bellingen, Stefan Kochanek: “De identiteit van de nieuwe wereld versus Europese traditie.” Openbaar Kunstbezit in Vlaanderen (1999) 99, pp. 28-32.
Els Roelandt: “Towards globalisation. Opting for cultural diversity.” In: Jan Hoet, Ingrid Commandeur, Steven Jacobs, Els Roelandt, S.M.A.K. Museum of Contemporary Art. The Collection, Ghent (S.M.A.K.) 1999, pp. 174-183.
Otto Neumaier: “Bezaubernde Apokalypse. Gespräch mit Ricardo Brey.” Noëma art journal (Aug-Oct. 1999) 52, pp. 58-65.
Goris Gie: “Ricardo Brey. Geen Buena Vista Social Club.” Wereldwijd (September 1999), p. 36.
Christine Vuegen: “De bezweringen van Ricardo Brey. Het paradijs behoort tot het verleden.” Kunstbeeld 23 (May 1999) 5, pp. 10-13.
______________. “La tornade Brey.” L'Oeil (March 1999) 504, p. 26.
Walter Guadagnini: “Ricardo Brey in the Salzburg Kunstverein.” In: Hildegund Amanshauser (ed.), Jahresbericht 1997, Salzburg (Salzburger Kunstverein) 1998, pp. 34-39.
Edith Doove: “Door kunstenaars geschminkt.” De Morgen, February 20, 1998.
Anne Maier: “Ricardo Brey in der Galerie Tanit.” Kunst-Bulletin (Jan-Feb. 1998), p. 42.
Marc Holthof: “Prijswinnaar.” Weekend Knack, January 28, 1998, p. 89.
Christine Vuegen: “Kanal 20.” De Huisarts January 28, 1998, p. 22.
Edith Doove: “Kunst maken als het schilderslinnen op is. Ricardo Brey krijgt cultuurprijs van Vlaamse Gemeenschap.” De Standaard, December 4, 1997.
H. Langwallner: “Salzburger Kunstverein: Ricardo Brey. 'Handschuhbaum.'” Observer, May 2, 1997.
Andreas Stockinger: “Schlauch als Schlange. Die Installationen von Ricardo Brey im Salzburger Kunstverein.” Der Standard, May 3-4, 1997.
Ernst P. Strobl: “Erster Hand aus Zweiter Hand.” SVZ April 21, 1997.
Johanna Hofleitner: “Kultureller Grenzgang zwischen Kuba und Gent.” Die Presse, April 21, 1997.
Johann Auinger: “Ins Zentrum der Peripherie.” Salzburger Nachrichten, April 18, 1997.
Jan Braet: “De poot van een olifant. Ricardo Brey over de strijd van de kunst om een straaltje hoop in de geteisterde wereld.” Knack 27 (1997) 1, pp. 52-53.
Xavier Canonne: “Ricardo Brey.” In: Xavier Canonne (ed.), Collection de la Province de Hainaut 1993-1996, Mons (Province de Hainaut), 1996, pp. 19, 32-33.
Wiel Beyer: “Reacties maken gelukkig. Expositie Cubaan Ricardo Brey in Kunstcentrum Sittard.” Limburgs Dagblad, September 27, 1996.
Pieter Defesche: “Morsige dekens en horens van buffels. Expositie Cubaan Ricardo Brey in Kunstcentrum Sittard.” Limburgs Dagblad September 25, 1996.
Roberto Daolio: “Ricardo Brey. Galleria Civica di Modena.” Flash Art 29 (June-July 1996), 198, p. 115.
Valerio Deho: “Modena”, Juliet Art (June 1996) 78, p. 66.
Cees van der Geer: “Bezoekers doen mee in Park Wolfslaar.” Haagsche Courant June 25, 1996.
Wilma Sutö: “Waar paraplu's als bloemen bloeien.” De Volkskrant May 24, 1996.
Marina Leonardi: “Ricardo Brey alla palazzina.” Mattina February 18, 1996.
Paolo Vagheggi: “Ricardo Brey exporra a Modena.” La Republica, February 5, 1996.
Frank Perrin: “Ricardo Brey.” Flash Art 28 (Summer 1995) 183, p. 116.
Xavier Canonne: “Ricardo Brey.” L'Annuel de l'Art Belgique, 1994, p. 76.
Christoph Doswald: “The Cuban art crisis.” World Art. The Magazine of Contemporary Visual Arts (November 1994).
Philippe Regnier: “Ricardo Brey.” Blocnotes. Art contemporain 2 (Winter 1994) 5, p. 71.
Dore Ashton: “Fifth Havana Biennial.” Artforum International 33 (Oct. 1994) 2, p. 110.
Miki Miyatake: “Spirit of the Earth.” The Japan Times October 1, 1994.
Louis Templado: “Cacaphony of primal voices.” Asahi Evening News, Sepember 8, 1994.
Rufo Caballero: “Los Recuerdos del Complice.” Revolución y Cultura 34 (May-June 1994) 3, pp. 10-18.
Maria de los Angeles Pereira: “Escultura Cubana. Una historia cautivante.” Revolución y Cultura 34 (May-June 1994) 3, pp. 19-23.
Toni Piñera: “Metafora del Sur.” Granma, March 13, 1994.
Denis Gielen: “Ricardo Brey.” Art & Culture 8 (Feb. 1994) 6, p. 31.
Claudia Jaeckel: “München Kultur.” Süddeutsche Zeitung February 9, 1994.
Cuauhtemoc Medina: “Exilio en la calle Republica de Cuba.” Poliester (Winter 1993) 4, pp. 29-40.
Inga Lemke: “Wie Künstler die Welt sehen. Vier Documenta-Teilnehmer zeigen ihr Werk: Ausstellungen zu den 'Premieren.'” Kölner Stadt-Anzeiger May 20-21, 1993.
Philippe Huysegems: “Ricardo Brey.” America Revista 20 (Dec. 1993) 226, pp. 32-33.
Jose Lebrero Stalt: “Ricardo Brey, Tania Hart.” Flash Art 26 (Summer 1993) 171, p. 120.
Bert Bauwelinck: “Zwerftochten van een Cubaanse Odysseus.” Gazet van Antwerpen, January 28, 1993.
Eric Bracke: “Zweterige organische kunst.” De Morgen, January 23, 1993.
Dirk Pültau: “Een adem die vormen beweegt. Ricardo Brey in de Vereniging voor het Museum van Hedendaagse Kunst.” GE January 22, 1993.
Gerhard Haupt: “Artistas Latinoamericanos en la Documenta IX.” Humboldt 33 (1992) 107, pp. 59-60.
Ralf Dank, Dieter Schwerdtle: “Ein Foto-Rundgang durch die Documenta IX. 'Documenta als Motor' - Kommentare von Jan Hoet.” Kunstforum (1992) 119, pp. 220-503.
Christoph Becker: “Ricardo Brey.” In: Christoph Becker (ed.), Documenta IX. Kurzführer / Guide, Stuttgart (Edition Cantz) 1992, p. 90.
Ricardo Brey: “Humboldt's diary: the event.” Art Journal 51 (Winter 1992) 4, p. 11.
David Craven: “The Visual Arts since the Cuban Revolution.” Third Text (Autumn 1992) 20, pp. 77-102.
Claus Quadflieg: “Kabale ohne Liebe. Im Herzen welt eine Mördergrube.” d9-Spezial, 1992, p. 5
Dominic van den Boogerd, Let Geerling, “'Outsider art betekent uitsluiting.' Een gesprek tussen Ricardo Brey en Jimmie Durham.” Metropolis M 13 (Aug. 1992) 4, pp. 20-25.
Pedro de la Hoz: “Un Cubano en Kassel.” Granma August 12, 1992.
Franco Franelli: “If the Art is dead, is the Artist a zombie?” Documenta '92. The Art Newspaper (July-Sept. 1992) 20, p. 9.
IIse Kuijken: “Ricardo Brey.” Kunst & Museumjournaal 3 (1992) 6, p. 7.
IIse Kuijken: “Ricardo Brey en Brussels.” Artefactum, (June-Aug. 1992) 44, p. 43.
Let Geerling: “Ricardo Brey: een multicultureel discours.” Archis (Feb. 1992) 2, pp. 10-11.
Julia Hope: “Post-Colonial Surrender.” Artscribe (1991), pp. 93-94.
Rufo Caballero: “Misteriosa Cultura de la Eficacia.” Revolución y Cultura 30. (July-Aug. 1991) 4.
Let Geerling: “Ricardo Brey.” Metropolis M 11 (Dec. 1990) 6, pp. 22-23.
David Mateo: “De la Bienal de La Habana a Documenta de Kassel.” Juventud Rebelde (Sept.1990).
Toni Piñera: “Sobre la tierra.” Granma August 23, 1990.
Gerardo Mosquera: “Mito, Concepto y Poesía en Brey.” Brecha 3 (1988) 19, p. 29.
Erena Hernández: “El Unico Sitio Posible.” Revolución y Cultura 27 (Sept-Oct. 1988) 5, pp. 73-74.
Gerardo Mosquera: “Mito, Concepto y Poesía en Brey.” Union (April-June 1988) 2.
Gerardo Mosquera: “Mito, Concepto y Poesía en Brey.” Revista Union (April-June 1988) 2.
Gerardo Mosquera: “Mito, Concepto y Poesía en Brey.” Ventana, Managua, January 30, 1988.
Erena Hernández: “Brey con los Pies sobre la Tierra.” Juventud Rebelde, May 16, 1987.
Lucy R. Lippard: “Made in the USA: Art from Cuba.” Art in America 74 (Apr. 1986) 4, pp. 27-35.
Gerardo Mosquera: “Cuatro que van Bien.” La Nueva Gaceta de La Habana (August 1982).
Gerardo Mosquera: “Un Nuevo Salto del Venado”, Revolución y Cultura (1981).
Erena Hernández: “A Propósito del Origen de las Especies.” Tribuna de La Habana, June 13, 1981.
Alejandro Alonso: “Expone Rodríguez Brey.” Juventud Rebelde, May 26, 1981.
Gerardo Mosquera: “Trece Artistas Jóvenes.” Havana (Departamento de Cultura, Universidad de La Habana), 1981.
OTHER SOURCES
Hilde Van Canneyt, “Kunstjournalist. Interview met Ricardo Brey” (English), February 2021
Maria Martens Serrano: "Des-Cubrir: uncovering and discovering the work of Ricardo Brey". Artdependence magazine . Vol. 7 April 2015
Pierre Kluyskens: "Ricardo Brey - M HKA A'pen-10/5" . Quovadis. ART.be. April 26, 2015
Luk Lambrecht."Ricardo Brey in de stad Antwerpen". Flux News ,20 avril 2015.
Javier Hontoria: "Brey, el alquimista" . El Cultural. El Mundo , 20-03-2015. p.p 34-35
___________; "Ricardo Brey in Antwerpen". COBRA.be. 18.02.2015
Universes in Universe. Worlds of Art : "Ricardo Brey: Fuel to the fire" April 2015 .
Ricardo Brey tovert je uit het alledaagse - NRC Handelsblad van woensdag 25 februari 2015
Universes in Universe. Worlds of Art : "Ricardo Brey Individual exhibition in Havana and Antwerp"
April 2014
Lambrecht Luk: “Een wereld van poëzie: Ricardo Brey in het Nicc in Antwerpen.” Knack blog, September 28, 2009
.______________. “Ricardo Brey in het Gentse SMAK.” Villa la Repubblica digital blog, December 8, 2006.
Luk Lambrecht: “EXPO: Ricardo Brey, SMAK, Gent.” Knack blog. November 2, 2006.
Sacha Roosdorp: “Postmodernisme en de periferie: Ricardo Brey.” unpublished doctoral thesis, Utrecht (Universiteit Utrecht) 2000.
Colour video: Ricardo Brey, 15 minutes, Modena (Comune di Modena Assessorato alla Cultura e Beni Culturali) 1996.
Colour video: The spirit of the earth, 30 minutes, Tokyo (The Watari Museum of Contemporary Art) 1994.
L. Camnitzer: New Art of Cuba, Austin (University of Texas Press) 1994.
Colour video: Ricardo Brey, 15 minutes, Havana (Enrique Alvarez) 1991
Memory Is a Weapon: A Conversation with Ricardo Brey
by Michaël Amy
Sculpture Magazine nr.38 vol.42/5
